Figuring out how to mix in reproduce can be trying to sort out. With all the diverse brush libraries it’s difficult to tell what brush will give you the best mixing result.
That is the place where I come in. I have had a go at mixing objects with various brushes and apparatuses and I’ve discovered a cycle that yields stunning outcomes.
This is the way I mix ordinarily in Procreate and I’m eager to impart my cycle to you folks! How about we begin.
- MAKE A CLIPPING MASK
On the off chance that you don’t have the foggiest idea how to do this you can just put your articles one single layer. Simply recall, you can possibly mix if all articles are ‘together’ things can’t be on isolated layers.
- SELECT THE TOP LAYER OF YOUR MASK
This is the layer that is ‘cut’. This layer has a bolt pointing down on it. That is the way you realize you have chosen the right layer.
- TAP THE SMUDGE TOOL
This instrument is in the upper right of the toolbar and appears as though a hand pointing down.
- SELECT AIRBRUSHING> SOFT AIRBRUSH OR SOFT BRUSH
Delicate Airbrush: Smaller brush utilized for mixing perplexing slender lines.
Delicate Brush: Large brush utilized for mixing bigger territories with a more slope look.
Figuring out how to mix in multiply can be trying to sort out. With all the diverse brush libraries it’s difficult to tell what brush will give you the best mixing result.
That is the place where I come in. I have had a go at mixing objects with a wide range of brushes and apparatuses and I’ve discovered an interaction that yields stunning outcomes.
This is the manner by which I mix ordinarily in Procreate and I’m eager to impart my interaction to you all! We should begin.
- MAKE A CLIPPING MASK
On the off chance that you don’t have a clue how to do this you can just put your items one single layer. Simply recall, you can possibly mix if all articles are ‘together’ things can’t be on independent layers.
- SELECT THE TOP LAYER OF YOUR MASK
This is the layer that is ‘cut’. This layer has a bolt pointing down on it. That is the way you realize you have chosen the right layer.
- TAP THE SMUDGE TOOL
This apparatus is in the upper right of the toolbar and seems as though a hand pointing down.
- SELECT AIRBRUSHING> SOFT AIRBRUSH OR SOFT BRUSH
Delicate Airbrush: Smaller brush utilized for mixing complicated slender lines.
Here’s a perfect Brush that will make this easier.
Delicate Brush: Large brush utilized for mixing bigger regions with a more slope look.
I like to keep my Soft Airbrush on Brush Size 15-20%. What’s more, my Soft Brush on Brush Size 10%.
- TURN BRUSH OPACITY DOWN TO 55-60%
We don’t need full mistiness on mixing brushes. The idea of mixing is to consolidate two tones not make cruel edges.
- Utilize LIGHT PRESSURE STROKES
Attempt to grasp your Apple Pencil light like a drumstick. Do the opposite of how you would ordinarily draw and scarcely push down on each stroke. Recollect that we are mixing not attracting so you need to utilize a large portion of the pressing factor you regularly use.
- GO SLOWLY
With mixing toning it down would be best. Try not to feel constrained to over mix. Hinder your strokes and take as much time as is needed to consummate the ideal look.
